We all heard about this. Ralston stumbled out to safety more than five days later, having cut off his own right arm to escape. He is an upbeat and resilient person and has returned to rock climbing, although now, I trust, after filing a plan, going with a companion and not leaving his Swiss Army Knife behind. The knife would have been ever so much more convenient than his multipurpose tool. I imagine that every time he considers his missing right forearm, he feels that under the circumstances he's better off without it.
What would you have done? What about me? I don't know if I could have done it. It involves a gruesome ordeal for Ralston, and for the film's audience, a few of whom have been said to faint. But from such harrowing beginnings, it's rather awesome what an entertaining film Danny Boyle has made with "127 Hours." Yes, entertaining.
For most of the film he deals with one location and one actor, James Franco. There's a carefree prologue in which Ralston and a couple of young woman hikers have a swim in an underwater cavern. Later, during moments of hallucination, other people from his life seem to visit. But the fundamental reality is expressed in the title of the book he wrote about his experience: Between a Rock and a Hard Place.
Franco does a good job of suggesting two aspects of Ralston's character. (1) He's a cocky, bold adventurer who trusts his skills and likes taking chances, and (2) he's logical and bloody-minded enough to cut through his own skin and bone to save his life. One aspect gets him into his problem, and the other gets him out.
Is the film watchable? Yes, compulsively. Films like this don't move quickly or slowly, they seem to take place all in the same moment. They prey on our own deep fear of being trapped somewhere and understanding that there doesn't seem to be any way to escape. Edgar Allan Poe mined this vein in several different ways. Ralston is at least fortunate to be standing on a secure foothold; one can imagine the boulder falling and leaving him dangling in mid-air from the trapped arm.
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